While earlier studies have focused predominantly on artist François Boucher’s artistic style and identity this book presents the first full length interdisciplinary study of Boucher’s prolific collection of around 13 500 objects including paintings sculpture prints drawings porcelain shells minerals and other imported curios It discusses the types of objects he collected the networks through which he acquired them and their spectacular display in his custom designed studio at the Louvre where he lived and worked for nearly two decades This book explores the role his collection played in the development of his art his studio his friendships and the burgeoning market for luxury goods in mid eighteenth century France In doing so it sheds new light on the relationship between Boucher’s artistic and collecting practices which attracted both praise and criticism from period observers The book will appeal to scholars working in art history museum studies and French history
